Moxie

Last night I gathered some of my most supportive women for a Moxie watch party to celebrate where we are now–in life, in our careers, in our parenting, and in our feminism. I had loved the book by Jennifer Mathieu and have been eager to see the film since I’d heard that Amy Poehler would be directing it.

We filled up the chat bar with our texts–cheers for the young women as they fight the patriarchy and transform, eye rolling when the stupid adults were stupid, cheers for the romantic male lead, boos for the villain and the administrator who ignores her duties, fists raised for the inclusion of intersectional feminism and LGBTQ representation, gasps when the inevitable shocking plot-twist appeared. Perhaps it was, as this NYT reviewer says, “unfocused and too often unbelievable,” but for us, that was the point.

We can all point to too many real-life f-ed up news stories (Brock Turner, Brett Kavanaugh, Trump) that I saw symbolized by Patrick Schwarzenegger’s beautiful villain in Netflix’s Moxie. Everyday there are new #metoo situations in the news and others that we only hear about in whisper campaigns. As a parent I have felt ineffectual when I heard after-the-fact that sexual assault and harassment issues infected the schools to which I sent my own children. These stories and the patriarchy have beaten us down over the years taking away our hope that anything will be better anytime soon. As a white-woman I am tired of losing, yet when I feel that I have lost, I know that there are others that have lost even more. So I was absolutely fine, buoyed in fact, when I could lose myself in this feminist Quasi-Fantasy*, with my glass of wine and my girlfriends. Says one girlfriend:

Anna, is there a word for quasi-fantasy*?  That’s how it felt to me. Simplistic kind of on purpose, just giving us the gift of more ease since we live the BS of reality. Quasi-Buffy but instead of slaying vampires they slayed football players with Zines.  

The alternative reality that props us up for another day.  Shows like Madame Secretary make me feel that way too, or Wonder Woman.  Just a bit where we get to pretend the work could be easier and we could get our vindication and dance party at the end of the damn day

-K.C.S.

YES! Let me stand akimbo with my lasso of truth. I am aching for that dance party where I can thrash about, that catharsis when in the movie when Lucy challenges the book list, that passionate release when Lucy and Amaya kiss, how sexy it is when Seth asks for consent, the power when Vivian finds her voice, and the chilling hope when the students who walk out scream in chorus.

The book Moxie and others you might like (Dress Coded, Fighting Words, Maybe He Just Likes You) tell stories that are more nuanced than the Netflix version. I highly recommend them to both adults and young readers. For educators and parents, please take a look at the resource: 100 School Districts: A Call to Action for School Districts Across the Country to Address Sexual Harassment Through Inclusive Policies and Practices from the National Women’s Law Center.

If you are experiencing or have experienced sexual assault, please call the National Sexual Assault Hotline at 800.656.HOPE (4673) to be connected with a trained staff member from a sexual assault service provider in your area.

#WNDB: supply and demand in education.

Throughout my tenure at Books of Wonder, my responsibilities shifted and evolved. When Covid-19 forced the store to close and left me jobless, the work was perfectly in line with my personal values. I had become the school outreach manager—a job that seamlessly wove together school & library marketing, professional development trainer, and event planning .

I collaborated with parent volunteers and our school book fair book buyer to create book fair events unique to each school community. I created timelines for the events, handled logistics, and managed sales staff for the book fairs.

I booked authors for school events and created an educator night at the store for publishers to pitch their newest titles.

But the aspect of my job that I really loved was meeting with teachers and administrators to talk about the importance of diverse books. We talked about the Lee & Low Baseline Survey and the CCBC statistics and infographic. I pitched the newest #ownvoices titles and made a few sales. We had honest conversations about parents who might throw up obstacles to LGBQIA+ content. (Most often, the administrators who invited me in said, “Send them to me.”)

Now, I’m thrilled to see that lists (that have existed for a long time) of #ownvoices books are making the rounds on social media. Educators are jumping in and that’s a great thing because increasing and constant school & library demand for these books will ensure that they continue to be published.

I have long advocated for changes to required reading lists to include newer and more diverse titles but there are a series of arguments that keep these lists frozen in time. (BTW: You can replace “lists” with “classroom libraries” in all of the following arguments.) Some of these lists are frozen in time with the excuse that the books on them appear on state and national tests. Some of them are frozen in time because the school has class-sets of those books and has not/will not allocate resources for new titles. Some say they cannot change the list because the books are “classics.” (I urge those teachers to ask themselves, classic for whom?) Some think that because their classrooms are filled with majority white students, that their lists are just fine. Some say they just don’t have the time.

But some of them are frozen in time because educators are used to teaching those books or feel like an imposter teaching other books.

A couple of stories:

  1. I once taught at a school where a teacher had a file of 180 index cards each with her daily teaching plan. She was a veteran teacher, and while I don’t know how long she’d been using those cards, she didn’t deviate from her plans in the five years I taught at that school. That meant any student-led inquiry had to be contained within her box of index cards.
  2. I advocated for new more diverse literature to be added to my son’s AP English required reading in 2017. My plea started when I saw the list at an open house and continued back and forth with the teacher and my school board member until the teacher finally emailed this:

Teachers, at least teachers like me, select art from an extremely personal place. I am not capable of teaching certain books well, because I don’t have a deep connection to them. 

AND:

Since your question at open house I have been trying to nail down why I don’t teach more authors of color; why I don’t feel a strong enough connection to many authors who are not white Europeans. The answer is simple: I’m a white woman, educated in Canada and Europe, with a focus on Slavic languages (still white, though).  The literature I know I can teach well (which may be different from the stuff I read) comes out of those European traditions.

AND Finally:

The other truth that rushed in before I shut the door on this insight was that what we need isn’t so much white, middle-class ladies teaching about the African or Hispanic or Asian experience to our very white population, which always seemed a little fishy to me–what we need is to hire teachers of color. That is the perspective we are actually missing, in my opinion. 

Absolutely, schools that hire all white faculty need to do better. But in my opinion, that is not an excuse to rob all children from reading widely. To me, teaching literature, teaching anything really, is not about knowing everything. It is about curiosity, passion, lifelong learning, and being vulnerable to new learning in a way that inspires your students to do the same.

If your reaction to updating your required reading lists, your classroom libraries, and your curriculum is, “I don’t know enough about these books,” here are some suggestions.

  • Use this summer as an opportunity for professional development and take a Black, Latinx, LGBTQ+ literature class at your local university.
  • Read more.
  • Research more.
  • Invite local scholars to talk to the class and pay them.
  • Plan virtual visits to museums that highlight the author, history, or the culture depicted in the text.
  • Plan virtual author visits and pay the authors.

Or…say to your students on day one. “This year we are changing our required reading list and I’m learning too. Over the next three weeks we will come up with a list of criteria together, do research, and change this list to reflect diverse, high-quality, literature.” Students are amazing. They are demanding change.

And where there is demand, there needs to be supply.

#Kavanaugh and YA Lit: Reach for “Wrecked”

Are your high school students talking about the #KavanaughConfirmation hearings? They should be. The issues of body autonomy, toxic male culture, drinking (and marijuana use) and how it affects sexual consent are critical to their lives and their futures. If you were to assemble a stack of Young Adult contemporary literature and pulled one out of the stack Jenga-style, you’d be almost guaranteed to find a red Solo cup mentioned. Why? Because alcohol-fueled parties are the reality in the lives of many high school students. That’s not to say that everyone drinks but everyone is affected by the drinking.

Therefore, when your students ask you about the hearings, don’t shy away from the news. Use this critical national current event as a teachable moment and reach for literature. Literature is a discussion starting point that takes the events of the day away from the partisanship and allows students to see a moment in time from various points of view as in the beautifully crafted book Wrecked, by Maria Padian (Algonquin Young Readers).

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Told not by the victim and accused in a college sexual assault allegation, but by their friends Haley and Richard, the reader is both caught in the swirling tempest of heightened emotions and also able to pick apart the threads of each argument that makes the storm. We see the parents, the fictional MacCallum college administration, the campus organizations and each response to the allegations and investigation of the night in question. In her 2016 interview with Book Riot Padian says:

“I want readers to experience Wrecked the way we experience all reports of sexual assault: from the other side of a closed door. I want them to experience the discomfort of thinking they know what happened, then seeing from another point of view and having their assumptions challenged. Repeatedly.”

While Wrecked is set on a college campus it is a crucial read for teens. Says Padian:

“Young people are sexually active long before they reach college. Exposure to issues surrounding consent needs to happen long before they are set loose on a campus! Wrecked dramatizes the transition, from high school to college, when young people are sorting out who they are now that they have left the confines of their childhood homes. It’s a crucial period, and would interest teens on the cusp of that change, as well as those who have recently entered that new world and are currently navigating it.”

Make Wrecked and these other fine books available to your high school students and children. And for the love of all that is holy…these books should be read by girls AND boys.

Two of my other favorite YAs on this topic:

Speak, Laurie Halse Anderson

Moxie, Jennifer Mathieau

And eleven others in this Bustle list of YA Books that tackle Sexual Assault and Rape Culture.

And these nonfiction titles:

Good and Mad, Rebecca Traister

Girls and Sex, Peggy Orenstein

Our children are watching and reading. Tell me in the comments what books on this subject made a difference to you.

 

 

HigherEd.com Salary Survey

Schmooze with a bunch of writers for a long enough time and you are bound to hear this: “I’m not in it for the money.”

I too, subscribe to that belief. My goal, however, is to be able to write and pay my bills, and buy gifts for my family, and pay for a few writing retreats or travel (research!) opportunities each year. When I dream, I let myself imagine six figure multi-book deals and there’s nothing wrong with putting that out into the universe. Realistically,  I know that even if sweet advances come, they will be inconsistent and unpredictable. There has to be some sort of day job that controls the income.

For many writers, that day job is teaching. Some writers teach K-12, others teach in higher ed. Higheredjobs.com recently published its annual salary survey and I thought I’d share it here for any interested party. If you are working in a Tenure/or Tenure Track position, I’d love to know if these numbers seem accurate. I’d also love to know more about the actual availability of Tenure/Tenure-Track positions. I spend a lot of time on HigherEdJobs.com and on the AWP Jobs Board. If you’ve been on a hiring committee, what makes a candidate stand out? Are positions listed as open really open to the general public? Is there usually an inside candidate?

Happy Writing.

Muslim Author’s Book Named Among ‘100 Greatest Children’s Books’ of the Last 100 Years by New York Public Library

I was so happy to see this wonderful news that I want to share it with all of you. Rukhsana Khan’s book BIG RED LOLLIPOP  is on the New York Public Library’s Children’s Books 2012: 100 Titles for Reading and Sharing list. She is the first Muslim author of Pakistani origin to be named on the list. Quoting directly from their press release, NYPL stated that all books on the list have “withstood the test of time at the New York Public Library or are on their way to becoming new classics.”

Ms. Khan receiving the Golden Kite Award. Photo from her website.

Rukhsana Khan is originally Pakistani and learned English as a second language. Her prolific writing and huge success has seen BIG RED LOLLIPOP scoop up a string of coveted awards. The book has been voted America’s ‘best picture book’ twice (The Charlotte Zolotow and the Golden Kite) – now, the New York Public Library has named it as one of the ‘100 greatest children’s books’ in the last 100 years. 

 

In BIG RED LOLLIPOP, Rubina has been invited to her first birthday party, and her mother, Ami, insists that she bring her little sister along. Rubina is mortified, but she can’t convince Ami that you just don’t bring your younger sister to your friend’s party. So both girls go, and not only does Sana demand to win every game, but after the party she steals Rubina’s prized party favor, a red lollipop. What’s a fed-up big sister to do?
Rukhsana Khan’s clever story and Sophie Blackall’s irresistible illustrations make for a powerful combination in this fresh and surprising picture book.

“…It’s an ending worthy of a novella, and once again signals that Khan is one of the most original voices working in picture books today.”
-Publisher’s Weekly Starred review of BIG RED LOLLIPOP

Learning English as a second language has been no bar to Rukhsana Khan’s success. Khan arrived in North America as a child from Pakistan and now, her writing career sees her visit over eighty schools a year across North America, make countless presentations and shatter cultural barriers through a string of awards.

As the author explains, her book is already beloved by many families around the world.

“It’s wonderful to see it listed alongside other classics such as ‘Harry Potter and the Sorcerer’s Stone’ and ‘Charlotte’s Web’.” says Khan. “At a time when the world is becoming increasingly polarized, stories like ‘Big Red Lollipop’ tap into universal themes and are crucial to forging a smooth path toward the growing diversity of the North American landscape. As a practicing Muslim, the road hasn’t been easy. I have done my best to battle xenophobia and terrorist stereotypes with wit and humor. I have also worked diligently to create inroads to cross cultural dialogue and understanding.”

While this particular children’s book has helped Khan further build her name, she frequently tours the world to discuss her other works ranging from gritty teen novels on suicide, Afghanistan and issues of parental abandonment. 

“It’s not just about writing – but about sharing my work with others and using the stories to open up a series of vital dialogues. I’ve also recently launched a free literary resource for educators as part of my popular YouTube channel,” she adds.

With such a unique bibliography and passion for her work, interested readers are invited to visit Khan’s official website for more information: http://www.rukhsanakhan.com

I was lucky to see Rukhsana Khan accept her SCBWI 2011 Golden Kite Award at the New York SCBWI Conference for her book BIG RED LOLLIPOP. I’ve never seen an author as ebullient as Ms. Khan.  She told us the true story that inspired the book. Her love and joy were contagious. Congratulations to Ms. Khan and the others on the New York Public Library’s Children’s Books 2012: 100 Titles for Reading and Sharing list.

 

Five Reasons You Should Hire Me to Write the Curriculum Guide for Your New Book!

Many teachers are meeting this week to put last minute touches on their fall curriculum. Some will use the same novels and picture books they’ve used in the past, but some will be on the lookout for new books that will excite their students, shake up their usual plans, and meet Common Core requirements. While teachers enjoy creating their own curriculum, various meetings, new requirements, and weeks of standardized testing often send them looking for prepared activities. When you provide teachers with a Teacher/Reader Guide, they are more likely to buy a class or reading group set of your book to go with it.

Here are five reasons you should hire me to write the curriculum guide for your children’s or young adult book.

  1. I see curriculum creation from both sides of the equation. I have an Masters in Education with a concentration in Teaching and Learning and over twelve years of classroom experience. I have an MFA from Vermont College of Fine Arts where I focussed on Writing for Children and Young Adults. My novels are under representation and my poetry has been published by national magazines.
  2. I listen well and love collaboration. If you already have a vision for your guide, I’ll listen and give you my honest feedback on how your ideas will work in the classroom. I am an idea person. If you’re not sure what should go into the guide, don’t worry. I love collaboration and will work with you to brainstorm the best guide possible.
  3. I use InDesign, the design industry standard, to create unique, clean, and artistic designs for your guide. With the cooperation of your publisher, I can include design elements and illustrations from your book to create a final document that is consistent for marketing purposes. The final document comes to you as a PDF that anyone can access from a website, that you can send in an email, or that you can print to give away at book signings and class/library visits.
  4. I am a critical reader. One of the most interesting comments I’ve had from clients is that I saw their book as a reader and that they were surprised and excited by the questions I developed. I bring a perspective and distance that is difficult to find for those who’ve been involved in the creation of the book . 
  5. I am experienced. You’ll find testimonials from past clients on my Creative Curriculum page at this website. I’m happy to give you reference contacts as well. Click on the PDF links to see some of the guides I’ve already created. You’ll find my fees & services PDF as well. 

I want to create a guide that gets your book in front of students. Please contact me at annajboll [at] gmail [dot] com. I’d love to speak with you!

Oak Hill Young Writers Inspire

Last night I spoke at the annual awards ceremony and author’s reception for the Oak Hill Young Writers’ Club in Sabattus, Maine. I knew that the event would give me a chance to brush up on my public speaking skills before my award reception Sunday evening. I knew that the event would give me a chance to see what my Creative Bookings clients were experiencing. I knew the event would be my chance to inspire a group of kids who were interested in the thing that I love most.

What I didn’t realize is how much they would inspire me.

The Oak Hill Young Writers’ Club started with a handful of children at a single school and have since grown to one hundred children throughout the the school district. The teachers and volunteers leading the charge are passionate about children and passionate about writing. They see cuts in school budgets year after year and have “band[ed] together to become a foundation of support for [the] children.” Through business and community donations, volunteers, and the kindness of local authors, they have focussed their energy on making writing appealing and cool for students through club meetings, writing contests, and scholarships.

After the speakers, I was honored to watch the attending young authors receive their t-shirts and certificates of participation for the year. The contest winners received their prizes. Their smiles, and the pride on their parent’s faces, lit up the room. In that moment, I was reminded of the pure joy of writing without the expectation of publication or money or awards.

I wish for you all a day of writing without ego.

In Defense of a Liberal Arts Degree

This morning, LinkedIn sent me its “Top News for Anna” aggregation. The topics they tend to send me range from education, to jobs, to publishing. I clicked on the following– Why a BA is Now a Ticket to A Job in a Coffee Shop. The article includes quick research, a few graphs, and some spotty assumptions, but I found the reader comments most interesting.

Readers of the Daily Beast are well-spoken, and they don’t hold back. Comments tend to break down in favor of or against the opinions expressed in the original article– then there are the tangential arguments. The tangent that piqued my interest this morning was STEM education vs. Liberal Arts training.

STEM folks generally argue that the degreed students working as baristas have an English, sociology, or some other humanities-based degree. If they had only spent their loans on getting an engineering or some other tech-based degree they’d have a job. These commenters opine that the reason we hire so many international workers is because well-trained American’s are hard or impossible to find.

I do not doubt the truth of these arguments, but 1) there are many reasons for the underemployment mess we are in and 2) there is value in the liberal arts degree.

I teach adult students English. My classes help them improve their skills so that they can place out of remedial college courses that cost money but do not give them college credits. They each have different dreams and paths. Some hope to leave menial or physically taxing work as they age. Some need a college degree to move up in their current work. Many are middle-aged women whose husbands had affairs, abused them, or decided they were done with marriage. They are looking for gainful employment that will keep them above the poverty line. My students often see college as a path to specific work because these days– that is how college is marketed.

I teach my students how important it is, in an age of text communication, to be able to read and write. I teach them how to read critically, how to question, how to make connections, how to cite their resources. I teach them to discern the thesis of a paper, to engage a reader, to support an argument. I teach them that words matter, that everyone brings something important to a discussion, that the opinion you’ve held forever can and will be challenged. This is the value of education for education sake.

Because of ongoing and high unemployment rates, employers have a pool of applicants that is both deep and wide. They sort and discard resumes for narrow criteria. No masters degree? Out. The wrong BA? Out. Not enough experience? Out. Too much experience? Out. They have no reason to give a chance to someone who doesn’t meet their narrow view of “highly qualified.” I say to them– beware.

The world of work is swiftly changing. The technical degree we need desperately today may be obsolete tomorrow. A liberal arts degree graduates critical and creative thinkers. These workers– no, these humans are life long learners who deftly transfer their knowledge from one field and apply it to another. Hire them to sit with your STEM trained employees, and there is no limit to what can be created. We only succeed as a society when we nurture and value everyone’s gifts and knowledge.

New Teacher/Reader Guide Service AND GIVEAWAY!

You’ve seen them before, the questions that show up at the back of a great novel and give you more insight into the author, the subject, or the craft of the book. The extension activities that teachers use to help plan lessons or meet COMMON CORE standards. Who writes these guides? I do, and I’d love it if you’d spread the word.

First, take a look at the new “Teacher & Reader Guides” page on Creative Chaos.

Next, click on the link below to enter the giveaway. Help me spread the word by commenting below, following me on twitter, tweeting about the giveaway, and following my blog. Each activity increases your chances of winning a free ($500 value) “Silver” level guide for your book. The prize is transferable to a writer/illustrator friend if you haven’t written or illustrated a book recently.

New England is expecting a big storm this weekend. Plenty of time to enter the raffle!

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SSR. A philosophical discussion.

For the uninitiated – those of you who do not teach, or do not have kids in school– SSR stands for Silent Sustained Reading. During a period of 20-30 minutes, everyone in the whole school is supposed to stop everything to read.

My children have always loved to read. They have been known to hole up in their rooms when a favorite book is newly launched and only take water and crackers for sustenance. You can imagine my surprise then when Son #1 told me they “HAD” to do SSR and that he thought it stood for “Sit down, Shut up, and Read.” Oh my heart! In my own independent school classroom, SSR meant kids on bean bags, and under tables devouring books. Quiet conversations about the newest from a certain author, a plot twist they didn’t expect. It was a bibliophile’s bliss.

That’s not what it was for Son #1. In the time of accountability and “no test child left behind,” there are reading logs, and page goals, and write ups, and book talks that he has to conduct with me (which are wonderful) but then he has to write out the book talk. He hated the paperwork. He didn’t turn it in. He didn’t meet expectations. He didn’t get on the honor roll even though he had all A’s in other classes. That’s fine. It’s a natural consequence and I respect that.

However, I still have issues with SSR. Here was my note to the teacher and principal today.

Just a quick philosophical detour. I think it is wonderful that [the junior high] makes student choice reading and adult read alouds a priority in the day. I also believe that the need to assess, log, and write up book talks defeats the essential reason for SSR. To me, SSR is a chance for children to take joy in reading and to see reading modeled and loved by adults. What if the adult leading SSR did a weekly sweep of the class, moving from student to student with a clipboard, asking kids some of the questions on the “book talk” list and for 3 minutes listened to the student talk about the book they are reading? The teacher would know if they are reading narrowly in a genre, rereading (which is to be encouraged to a point), and if they are completing books or not. These mini-meetings challenge students to think deeply and make connections with the text. The adult would connect with the student and gain an intimate understanding of the student’s comprehension strengths/weaknesses. These mini-meetings would also allow the teacher to hear a student’s excitement/boredom and offer other book suggestions. What if the student gave one or two quick book talks during SSR, during the semester, so their classmates could learn about other great books that were out there? I think this would do more to encourage joyful reading than all the page counting, logs, lists, and write ups in the world. They have to do plenty of that stuff in their other classes.

Thoughts?