Tag: kidlit

Shana Tova: 5783

Happy New Year to any who celebrate. If you don’t, feel free to borrow this Jewish autumnal opportunity to take stock of the last year, make amends, and start with a blank slate.

Today, I received a notice from LiveJournal celebrating my blogging beginnings 16-years ago. That blog traveled from LiveJournal to Blogger to WordPress, and the whole time, I imagined that I was “building a platform” of possible readers who might buy some dream-of-a-book in the future. In January of 2021, when Chronicle Books bought my middle grade manuscript, that once-mythical-moment became a reality, and I’m excited to give you a little insight on the publishing journey for my Fall 2023 debut.

Originally, the book was going to be launched this year, but with Covid, a death in my family, a move, and a new teaching job, I knew I couldn’t keep up with the pace. Chronicle was kind enough to allow me to postpone.

I’ve been so lucky to work with two fabulous editors who have guided me through a few revisions. From macro to micro, each revision was focussed and each created a manuscript that was better than the previous draft.

In copy edits, I’ve worked with the Chronicle team to make each word sparkle.

The other day I got to look at cover ideas. *squee* Like that moment in a pregnancy when you actually start showing, it began to feel very real. At this point, the book has gone through a variety of titles, and we’ve landed on SHIRA AND ESTHER’S DOUBLE DREAM DEBUT. What a perfect way to encapsulate this Prince-and-the-Pauper-meets-Mrs. Maisel book about two identical girls who swap places to fulfill their dreams.

Even though I am a woman of many words, I can’t really explain how joyful this process has been. The respect that I’ve felt from the team is amazing.

By the time 5784 rolls around, I’ll be a published novelist. I hope you’ll continue on this journey with me.

Children’s Writing 101 with MWPA: Blog and Retreat Links

Last Saturday I presented the workshop “The Business of Children’s Writing 101” with the Maine Writers and Publishers Alliance. We had a cozy class which allowed the participants to get some great one on one attention as they crafted their elevator pitches and queries in advance of the New England SCBWI spring conference. We discussed the journey of a book from manuscript to publication, defined Midlist, and learned not to defend our work in a critique. We even got to have a mini-workshop for those who had brought picture book manuscripts.

The afternoon brought a web hunt of great kidlit blogs, social media, and kidlit community events that I’ve listed below.

Most important—we discussed that craft comes first and that if you have trouble with your pitch or query it often means that your manuscript is not quite ready for prime time.

If you missed this class and would like MWPA offer this or other kidlit workshops again, please contact Josh Bodwell, Director of MWPA. Happy writing!

A Few Great Blogs:

Through the Tollbooth: VCFA students who do in depth pieces on craft.

Lynda Mullaly Hunt, Be Someone’s Hero, No Cape Required: Specific connections with literacy, student success, and educators.

Cynthia Leitich Smith, Cynsations: Clearing house of amazing info from the industry including guest bloggers.

Seven Impossible Things Before Breakfast: In depth illustrations and illustrators, process, production, and more.

Jama Rattigan, Alphabet Soup: Reviews of food-based books, poetry.

Ingrid Sundberg: Great posts about story structure, screenwriting, and plot.

Pub(lishing) Crawl: Group of authors and industry professionals posting about craft and business.

A Few Great Kidlit Retreats/Resources:

Highlights Founders Workshops

The Writing Barn

Vermont College of Fine Arts

Falling Leaves/Green Leaves from SCBWI Eastern NY

Rutgers One on One

Picture Book Boot Camp with Jane Yolen

SCBWI

 

Illustrator Hints from Publisher Dean Lunt of Islandport Press

On Wednesday I had the pleasure of Dean Lunt’s company. Dean is the Publisher of Islandport Press which publishes titles for Children and Young Adults such as:

   

Dean and I had a great conversation about the ever-changing publishing industry, book marketing in general, and personal marketing for illustrators specifically.

Dean says that a marketing postcard from a job seeking illustrator every six months is the most useful tool for the publisher. To make your marketing postcard effective it needs to meet the following criteria:

  1. Feature a fresh new image each time you send a publisher a marketing postcard.
  2. Include your contact information on the postcard.
  3. Include the link to your online portfolio.
  4. Categorize your online portfolio by media, type, or subject (eg: collage v. pen and ink, color v. black & white, children’s v. editorial) for ease of navigation.
  5. Update your website. The “News” section should have recent, relevant info. Images should be fresh.
  6. Size pictures for quick viewing.  A lower resolution makes for smaller file sizes and 72 DPI is all that is needed to look good on a computer screen.

If you get the call and sign on to a project, be aware that one doesn’t stop being a children’s book illustrator when the artwork is delivered. Dean is always looking for illustrators who have the energy for school visits, signing, and other marketing events.

Interested in submitting to Islandport Press? Here are the guidelines. View the brand new Islandport Press YouTube Channel!

101 Kidlit Links (okay not that many…but a lot)

The English class that I teach on Tuesdays and Thursdays lets out just in time for me to turn on Maine Public Radio and catch Maine Calling with Keith Shortall. Yesterday’s program put a spring in my step as Keith had author illustrators Scott Nash, Chris Van Dusen, and Kirkus reviewer Vicky Smith discussing writing and illustrating for children, and the publishing industry. Click here for the archived show.

I pulled over and called in immediately to remind the listeners that over 500 SCBWI members in Maine, New Hampshire and Vermont, and over 1,800 members in New England take the art, craft and business of children’s books seriously. Since then, I’ve had a few emails and wanted to post a few quick answers to FAQ’s and links for anyone who might be curious about SCBWI, New England SCBWI, critiques, professional development, etc. Feel free to leave me comments below with other questions and I’ll try to answer them in a timely way.

If you are just getting started, you can find the top 10 FAQ’s about writing and publishing for children and Young Adults, how to format your manuscript, info about publishers, and an editor’s point of view here.

If you are more experienced and are looking for further professional development you can try various adult or continuing ed programs including MECA. For more intense and academic study take a look at Vermont College of Fine Arts, Hamline, Lesley, or Simmons. RISD, and Hollins are a couple of the children’s book illustration certificate programs. Google MFA Children’s Illustration if that is what you want.

If you are a teacher or librarian and want to hire an author or illustrator to present their book and teach about the craft of writing or illustrating, I suggest the SCBWI speaker’s bureau. You can search by state, or look for specific people. The New England region also has a database called Connections.

If you live in the New England area and want to find out more about the New England region of SCBWI, visit our website. We are an active region with many events. Coming up is our annual spring conference. One of the largest regional conferences, New England welcomes more than 500 participants and 100 faculty to Springfield, MA for three days of workshops and speakers May 305, 2013. The focus this year is craft and we are featuring PRO tracks for those who are published. Registration will begin in February. Watch the website for more info.

The SCBWI community is especially welcoming and supportive and that is only the beginning. Discounts to professional development conferences and workshops, publications, critique groups, and a whole series of grants and awards are benefits of membership. Check it out. There’s a link at the bottom of the page to actually register as a member.

SCBWI critique groups are only available to members. To see if there is already a group in your New England area you can click on your state here. There is a two part post with Stacy Mozer (our Crit group organizer) here, and here.

There are some writers and illustrators who are not interested in waiting for or supporting traditional publishing and so they choose the self-publishing route. There are plenty of print-on-demand, and epub companies. I’m not qualified to recommend one company over another. Do be aware that some companies are Vanity Presses (often they contact you) who make promises of publication with hidden costs. Educate yourself about publishers and agents by doing a quick check on Predators and Editors.

If you are taking your first steps on your journey to become a writer or illustrator, I have two messages. One: Welcome. If you are here you probably can’t stop yourself. You write and draw because you are compelled. The journey is long and comes with many pitfalls and no promises. You are in good company. Two: If this is not your heart’s desire, turn back now. The journey is long and comes with many pitfalls and no promises.