Since my last post there have been a lot of changes in my personal life. Changes that I’m not going to go into here. Suffice it to say they have taken up a lot of my brain and heart space and so blogging has been low on the priority list.
What came in high on the priority list this week was my workshop preparation for the Maine Writers and Publishers Alliance. That presentation, “Desire in the Middle Grade and Young Adult Novel,” went very well (if I do say so myself). I was honored to spend the day with seven aspiring writers who braved five hours with me at the Patten Free Library in Bath, ME. Together we explored model texts including Julie Berry’s; All The Truth That’s In Me, Linda Urban’s, A Crooked Kind of Perfect; Ingrid Law’s, Savvy; and Alan Cumyn’s, Tilt.
We asked questions, challenged ideas, reviewed manuscripts, wrote, revised, and even meditated. The day was a success!
Now I’m looking forward to my next presentation. May 2nd, I’ll be at the NESCBWI Annual Spring Conference presenting a workshop called, “Active Mind, Active Body.” We’ll be exploring the connection between physical activity and creativity, developing physical and creative goals, and crafting plans to achieve our goals. Finally, we’ll be doing some gentle physical activity (stretching, dance, yoga) to jump start fun writing activities. Register today!
If you were in my workshop today, share your learning, a new epiphany, or something that went well in the comments below.
If you are coming to NESCBWI New England introduce yourself in the comments and get your own badge here.
My Maine Writer’s and Publishers Workshop, Desire in Middle Grade and young Adult Novels, has a new date and time. Instead of two three hour sessions we are compacting it into a single five hour session on March first at the Patten Free Library in Bath, Maine. Click the picture or text link above for more information and registration. I can promise you a kick-ass lecture with examples from wonderful books, and one on one attention. If you know a someone in or around Maine who might be interested, please send them the link to this blogpost. Retweets and Facebook postings are encouraged!
You’ve heard it from critique partners, agents, and editors: “What does your character want?” The adult world is full of desire but what about the world of children and young adults?
Children and Teens often want passionately. Some are passionate because they are untouched by failure and disappointment; others are passionate because people who are supposed to love and protect them from failure and disappointment– have let them down.
I’m going to be leading a two part workshop for Maine Writers and Publishers Alliance where we will discuss the importance of a clear desire line in fiction for young readers. This workshop takes place over two Saturdays: February 1 and March 1. We’ll use ancillary writing activities to discover our character’s deepest desires, and explore the differences between positive and negative desires. We’ll have a guided critique of each other’s first chapters and look for ways to make desire more opaque. Before the second session, you’ll get to revise your first chapter then we’ll process what we’ve learned and I’ll share my own revision process and techniques. Take a look at the full workshop description.
By the end of our 6 hours together I hope to persuade you that one of the most important things you can do for your story is to clearly define your character’s desire in the first few chapters of your MG or YA novel. Depending on the audience, it is even better if that desire is clearly stated or hinted at in the very first chapter.
When the reader can clearly access the character’s desire:
- The reader roots for that character from the onset.
- The reader sympathizes with the character. (Even in the case of an unsympathetic character, the reader will connect with the act of longing.)
- It is this longing that keeps the reader reading.
If this kind of inquiry into the craft of writing for children and young adults interests you, sign up!
More about me:
Anna J. Boll, author/illustrator and educator, earned an MFA and Picture Book Certificate at Vermont College of Fine Arts and a MSEd at the University of Southern Maine. A winner of the 2013 PEN New England Susan P. Bloom Children’s Book Discovery Award, she is represented by Alexandra Penfold. Her poetry is published in Highlights High Five, Babybug, and Ladybug magazines.