<!–
/* Font Definitions */
@font-face
{font-family:”Times New Roman”;
panose-1:0 2 2 6 3 5 4 5 2 3;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:50331648 0 0 0 1 0;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-parent:””;
margin:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:”Times New Roman”;}
table.MsoNormalTable
{mso-style-parent:””;
font-size:10.0pt;
font-family:”Times New Roman”;}
@page Section1
{size:8.5in 11.0in;
margin:1.0in 1.0in 1.0in 1.0in;
mso-header-margin:28.1pt;
mso-footer-margin:28.1pt;
mso-paper-source:0;}
div.Section1
{page:Section1;}
–>
Sidman, Joyce and Zagarenski, Pamela. This Is Just To Say. Boston: Houghton Mifflin Co, 2007.
Perhaps it is fitting that I begin this post with an apology. I’m so sorry that I missed Wednesday. It startled me, then melted away like the first snow. (Responses welcomed in the comments.)
In the first section of Joyce Sidman’s poetry collection, This Is Just To Say, fictitious sixth grade students and their teacher are inspired to write poetic apologies after reading William Carlos William’s (often anthologized) “This Is Just To Say.” In the second half of the book, those they have injured answer with poetic responses.
The whimsical collage illustrations by Pamela Zagarenski fit the collection perfectly. The student introduction tells us that a student and the art teacher created the images and Zagarenski’s minimalist drawing approach makes this believable. I especially applaud her use of school related papers in the images. Houghton Mifflin editors chose the same illustrator for Sidman’s, Red Sings From Treetops, for her wonderful ability to create fantastical settings.
The subject matter of these poems is enough to evoke emotion in the reader: a dying dog, a hurt sibling, an absent father, a missing class pet. However, some of the apologies are lighter: a stolen jelly donut or brownie, a hard hit in dodge ball, a loved school statue.
I suppose I am a little bit of a poetry traditionalist but I thought that the poems that employed more formal devices were the most effective. “The Black Spot” uses an imbedded dot of pencil lead as a metaphor for the simmering anger between siblings. “Dodge Ball Kings” a poem in two voices that captures the excitement and energy of the boys with onomatopoeias. “Haiku for Carmen” which follows the traditional 5-7-5 syllable form. “What Girls Want” in which the student poet uses a series of metaphors and parallel phrasing that builds to a final contradictory line that really packs the emotional punch of the poem.
When the poems are less formal in their organization the collection lags. Many of the poems are prose poems and I felt that the line breaks were somewhat arbitrary. Many of them could have used more condensed language and the line breaks could have been better chosen to create more impact. If you read some of these poems aloud the listener might think you were just reading a paragraph.
That said, I highly recommend this book for any middle grade reader. By immersing the reader in the characters that people Mrs. Merz sixth grade class, Ms. Sidman makes each of these situations relevant and readable to a child audience. If children visit her website, they can hear Ms. Sidman reading her poems.
The book, published in 2007, has won many awards including:
Claudia Lewis Poetry Award
Cybils Poetry Award
Lee Bennett Hopkins Poetry Award Honor Book
IRA Teacher’s Choice Book
Texas Bluebonnet Award Nomination
New York Public Library’s "100 Titles for Reading and Sharing"
School Library Journal Best Book of the Year
Book Links Lasting Connection Book
If you are looking in your library for This Is Just To Say, it is probably housed in the juvenille poetry section where some of the most wonderful and overlooked books are just waiting to be rediscovered.



Papertowns: This brandy new young adult release from Co-King of Nerdfighteria, John Green debuted on the New York Times Bestsellers list. (With a little help from his brother, Co-King Hank Green and a whole lot of help from the nerdfighters.) Q, the main character, while journeying to find his missing next door neighbor, Margo, also goes on an existential journey to find himself. What do we project to the world? Who are we under our projections? Do we really know the people we call our friends? What are we capable of? How are we connected? Q, tackles all of these questions as he explores a clue that Margo left behind. "Leaves of Grass" by Walt Whitman. John delivers a smart mystery (both the clues and the structure) and his grasp of modern young adult technology and dialogue is spot on.
Jeremy Fink and the Meaning of Life, Wendy Mass: Jeremy Fink also has an existential journey to find out the meaning of life and his place in the world. Jeremy’s father sends him a locked box on his 13th birthday that holds the meaning of life. The problem? Jeremy’s dad died five years ago and the keys are missing. Jeremy and his best friend go on a path that intersects with interesting people and forces them to look at the importance (or irrelevance) of things. This book is best when Mass introduces us (and Jeremy) to interesting characters but I had a hard time believing the structure of the mystery. Without spoiling, it seemed that too many adults were involved in helping Jeremy make the discoveries that were necessary.
The Guernsey Literary and Potato Peel Pie Society: There are few Holocaust/World War II books that I would characterize as light but this is one of them. Let me explain that by light I don’t mean slight or funny but hopeful and accessible. This book is told at the end of the war in letters from a London writer, Juliet Ashton, to her publisher and the inhabitants of Guernsey Island. Their trials and tribulations are made light by Juliet’s positive spirit and the amazing island community into which she is adopted. Readers be warned: there are tears involved. The book was written by Marianne Shaffer who died earlier this year and the task to complete the book was take on by Anne Barrows. A huge thank you to
Rowan Hood, Nancy Springer: An English adventure is made even more believable with the narration of Emily Gray. Rowan is the daughter of Robin Hood. That is what she’s always been told by her magical mother. But is she? In this swashbuckling coming of age tale, Rowan (Rosemary) reconnects with the spirits of the Earth, the Alpha, and taps her inner strength to become a true outlaw.
The Subtle Knife, Philip Pullman: Perhaps I am the only one to come so late to the His Dark Materials series but I am truly enjoying it. As any good second in a trilogy, (for movies think Empire Strikes Back or Dead Man’s Chest (Pirates of the Carribean)) The Subtle Knife takes us deeper into the characters and defines the hero’s journey more clearly. It also leaves us with an ending that is less than satisfying but leads us deftly into the third book (The Amber Spyglass) and into the inevitable battle. Pullman introduces worlds upon worlds that all have their own set of rules and characters. This full cast recording was fabulous. The voices help you keep the worlds distinct and also make the listener’s imagining more vivd.